A reader's companion

House of Leaves

Mark Z. Danielewski, 2000 — Chapter XIV

Chapter XIV (pp. 347–352) — no spoilers past page 352
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I. Chapter XIV

A short chapter about Karen: her claustrophobia, the gossip about her affairs, and what Navidson knew. Johnny's footnote tells the story of his mother's locket.

347

purple dyes noun

In the ancient world, purple cloth was very costly and a sign of wealth and royalty.

In the book
XIV “Let you be stripped of your purple dyes, for I too once in the wilderness with my wife had all the treasure I wished.”
347

Enkidu (epigraph), The Epic of Gilgamesh

real epic

Enkidu is the wild man of the ancient Mesopotamian Epic of Gilgamesh. He lives with the animals until a woman tames him and brings him to the city, where he becomes the close companion of King Gilgamesh.

The line speaks of riches and of a life once shared “in the wilderness” with a wife. It opens a chapter about a couple who have lost what they had together.

In the book
XIV “Let you be stripped of your purple dyes, for I too once in the wilderness with my wife had all the treasure I wished.” — Enkidu Toward the end of October, Navidson went up to Lowell to take care of his brother’s things.
347

Lowell and Charlottesville

real

Lowell is a city in Massachusetts, where Tom lived. Charlottesville is the Virginia city near Ash Tree Lane. Navidson goes to Lowell for his brother's things and then returns to Virginia, not to New York.

In the book
… you be stripped of your purple dyes, for I too once in the wilderness with my wife had all the treasure I wished.” — Enkidu Toward the end of October, Navidson went up to Lowell to take care of his brother’s things.
347

berserk adjective

Wild and out of control with anger or distress.

In the book
She wanted her freedom and then would go berserk when he was away.
347

threshold noun

The strip of floor at a doorway; the point of entering or leaving.

In the book
Seeing someone else but not . . . agh, I shouldn’t get into that.””309 After Navidson had vanished down the Spiral Staircase, Karen found herself trapped between two thresholds: one leading into the house, the other leading out of it.
347

estranged adjective

No longer in contact or on friendly terms with a family member.

In the book
The leading theory now depends on a history given by Karen’s estranged older sister Linda.
347

public access noun

Local TV channels that let members of the public make and show programmes.

In the book
Earlier this year, she went on a public access “talk show” and described how they had been sexually abused by their stepfather.
347–348

Karen's claustrophobia and the pharmacotherapy study

real condition

Claustrophobia is an intense fear of small or enclosed spaces. The drug study Karen took part in was mentioned earlier (footnote 69).

In the book
Later, he forced Linda down the well and did the same to Karen. The pharmacotherapy study Karen participated in never mentions any history of sexual abuse (see footnote 69).
347

pharmacotherapy noun

Treatment of an illness with drugs.

In the book
The pharmacotherapy study Karen participated in never mentions any history of sexual abuse (see footnote 69).
347 fn 309

Audrie McCullogh on KCRW, interviewed by Liza Richardson

real station and DJ, invented interview

KCRW is a real public radio station in Santa Monica, Los Angeles, and Liza Richardson is a real KCRW DJ. The show “Bare Facts” and the interview are invented. Audrie, the friend who helped Karen with the bookshelf, says Karen was the one against marriage.

In the book
309Audrie McCullogh interviewed by Liza Richardson on “Bare Facts,” KCRW, Los Angeles, June 16, 1993, 347
347

Linda's story on a public access “talk show”

inventedunreliable source

Karen's estranged sister tells of abuse by their stepfather, who put each girl down a well. Public access television gives air time to anyone in the community, with little checking.

Zampanò offers the story as the leading theory for Karen's fear of dark closed places, but says no one may ever know if it is true.

348

freak verb (informal)

Panic; lose control from fear (“freak out”).

In the book
But get me near an elevator or a poorly lit basement and I'll freak.
348

blackout noun

A failure of electric power, so the lights go out.

In the book
A blackout can paralyze me.
348

spurious adjective

False or not trustworthy, though it looks real.

In the book
It was not until the film began to succeed that details concerning this relationship, however spurious, began to emerge.
348

Fowler's New York: Fifth Avenue, the Bowery Bar, Naked Lunch, Odelay-la

mixed

Fifth Avenue is New York's famous shopping street. The Bowery Bar and Naked Lunch were real fashionable Manhattan bars in the 1990s. “Odelay-la” seems invented; the name recalls Beck's 1996 album Odelay.

The places sketch Fowler as a handsome would-be actor on the club scene.

In the book
He worked at a Fifth Avenue clothing store, specializing in Italian cuts for women.
348

Italian cuts noun

Clothes tailored in the Italian style.

In the book
He worked at a Fifth Avenue clothing store, specializing in Italian cuts for women.
348

consummately adverb

Completely, to the highest degree.

In the book
He was considered consummately attractive and spent his evenings talking about acting down at the Bowery Bar, Naked Lunch, or Odelay-la.
348

curb noun

The raised edge between the sidewalk and the road.

In the book
Rushing to meet her mother for dinner, Karen had stepped off the curb and turned her ankle.
348

der absoluten Zerrissenheit German

“(of) absolute torn-apartness”: total inner division (Hegel).

In the book
For a dazed instant she lay on the asphalt amid the scattered contents of her bag—der absoluten Zerrissenheit3'!© An instant later, Fowler reached down and lifted her back onto the sidewalk.
348

“der absoluten Zerrissenheit”

real quotation

German: “(in) absolute dismemberment / being torn apart”. The phrase comes from the preface to Hegel's Phenomenology of Spirit (1807): spirit wins its truth only when it finds itself in absolute dismemberment.

Zampanò uses it for Karen lying on the asphalt among her scattered things. Johnny (fn 310) refuses to translate it.

In the book
For a dazed instant she lay on the asphalt amid the scattered contents of her bag—der absoluten Zerrissenheit3'!© An instant later, Fowler reached down and lifted her back onto the sidewalk.
348

Aerial pictures of barges off the Norwegian coast

invented

One of Navidson's foreign assignments. His long absences as a photographer are a steady theme in the couple's history.

In the book
Navidson was off taking aerial pictures of barges off the Norwegian coast.
348 fn 310

rampage noun

A period of wild, violent behaviour.

In the book
Once 310, line for Kyrie, though these days she’s a little unapproachable as Gdansk Man is now officially on some kind of Halloween rampage.
348 fn 310

Johnny: Gdansk Man at Dragonfly

mixed

Dragonfly was a real Hollywood nightclub on Santa Monica Boulevard. Kyrie's jealous boyfriend corners Lude there and gets thrown out by the bouncers, then leaves a threatening message on Johnny's machine.

Johnny says no translation of the German will lessen what the book has done to him; he can only copy it all down.

In the book
He apparently cornered Lude at Dragonfly intending to exact some kind of serious physical retribution.
348 fn 310

retribution noun

Punishment given in revenge.

In the book
He apparently cornered Lude at Dragonfly intending to exact some kind of serious physical retribution.
348 fn 310

bouncer noun

A person employed at a club door to keep out or remove troublemakers.

In the book
The bouncers there, all friends of Lude’s, quickly threw the madman into the street.
348 fn 310

logician noun

An expert in logic (Johnny uses it ironically).

In the book
Gdansk Man in turn, being one of this century’s truly great logicians, left some yelling message on my machine.
348 fn 310

juxtapose verb

Put two things side by side.

In the book
A powerful bit of articulation on his part, frequently juxtaposing murder and my name with just the right amount of grunting incoherence.
349

embellish verb

Add untrue details to a story to make it more interesting.

In the book
Nor is there any question that he embellished to keep the media interested.
349

tabloid noun

A newspaper with sensational stories about crime, sex and celebrities.

In the book
“She’s a great lady” Fowler first told reporters.“ And it wouldn’t be cool to talk about it, about us, I mean.”3!2_ And then a little later to some tabloid reporters, “What we had was special.
349

lambaste verb

Criticize someone very harshly.

In the book
In a rare moment, Reston called in on a late-night radio show and lambasted the host for promoting such ridiculous gossip: “Let me tell you this, Will Navidson did everything for that woman.
349

budge verb

Move even a little; change one's position.

In the book
But he never budged.
349

punk noun (slang)

A worthless young man.

In the book
I doubt that punk would have lasted a week.
349

suitor noun

A man who seeks a romantic relationship with a woman.

In the book
As beautiful as she was, it is not hard to believe she had suitors.
349

indiscretion noun

An unwise act, often a minor love affair.

In the book
Audrie, however, claims Karen only flirted and her indiscretions never went further than a coy drink or a curt meal.
349

coy adjective

Pretending to be shy in a flirting way.

In the book
Audrie, however, claims Karen only flirted and her indiscretions never went further than a coy drink or a curt meal.
349

curt adjective

Short and rather cold.

In the book
Audrie, however, claims Karen only flirted and her indiscretions never went further than a coy drink or a curt meal.
349

semiotician noun

A scholar of semiotics, the study of signs and symbols and how they make meaning.

In the book
As semiotician Clarence Sweeney wrote: While Navidson refused to make her infidelities a ‘public’ part of the film, he seemed 31!Interview with Audrie McCullogh.
349–350 fn 317

Clarence Sweeney, Privacy and Intrusion in the Twenty-First Century (Apeneck Press)

invented

An invented semiotician and book. The names are a joke: “Apeneck Sweeney” is a coarse character in T. S. Eliot's poem “Sweeney Among the Nightingales”.

Sweeney reads Karen's sealed ivory jewelry box as the private side of the film. The note points back to Chapter II, where Navidson opens the box.

In the book
As semiotician Clarence Sweeney wrote: While Navidson refused to make her infidelities a ‘public’ part of the film, he seemed 31!Interview with Audrie McCullogh.
349

infidelity noun

Being unfaithful to one's partner.

In the book
As semiotician Clarence Sweeney wrote: While Navidson refused to make her infidelities a ‘public’ part of the film, he seemed 31!Interview with Audrie McCullogh.
349 fn 312–315

People, New York, The Star; Cahill Jones on KPRO

real magazines, invented articlesunreliable source

People is a celebrity magazine, New York a city magazine, and The Star a supermarket tabloid; the articles are invented. Jerry Lieberman's title “Fowl Play” puns on “foul play” and Fowler's name. Cahill Jones's radio show is invented.

Fowler's story grows each time he tells it to the media.

In the book
312See Jerry Lieberman's “Fowl Play” in People, v.
350

transgression noun

An act that breaks a rule or a moral law.

In the book
Consequently he symbolizes her transgressions in the sealed hand-carved ivory case containing Karen’s valuables, thus creating a ‘private’ aspect to his project, which in turn prompts yet another reevaluation of the meaning of interiority in The Navidson Record.3\7 3!7§ee …
350

interiority noun

The inner, private life of a person; here also the idea of “inside”.

In the book
Consequently he symbolizes her transgressions in the sealed hand-carved ivory case containing Karen’s valuables, thus creating a ‘private’ aspect to his project, which in turn prompts yet another reevaluation of the meaning of interiority in The Navidson Record.3\7 3!7§ee Clarence Sweeney’s Privacy and Intrusion in the Twenty-First Century (London: Apeneck Press, 1996), p.
350–351 fn 318

Johnny: letters, and his mother's deer locket

inventedecho

Johnny writes about the letters people keep. His mother always wore a heavy silver locket shaped like a deer, and it was the only thing she left him. The deer shape comes a few pages after the doe in Holloway's story.

In the book
It’s amazing how many people save at least a few letters during their lifetime, leaves of feeling, tucked away in a guitar case, a safety deposit box, on a hard drive or even preserved in a pair of old boots no one will ever wear.
350 fn 318

leaves of feeling phrase

Johnny's image for letters: “leaves” are also pages.

In the book
It’s amazing how many people save at least a few letters during their lifetime, leaves of feeling, tucked away in a guitar case, a safety deposit box, on a hard drive or even preserved in a pair of old boots no one will ever wear.
350 fn 318

clunky adjective

Heavy and awkward.

In the book
It’s actually a pretty clunky thing, supposedly over a hundred years old, made out of polished sterling silver with platinum plated antlers, emerald eyes, small diamonds on the fringe of its mane and a silver latch disguised as the …
350 fn 318

sterling silver noun

Silver of a standard high purity (92.5%).

In the book
It’s actually a pretty clunky thing, supposedly over a hundred years old, made out of polished sterling silver with platinum plated antlers, emerald eyes, small diamonds on the fringe of its mane and a silver latch disguised as the tail.
350 fn 318

latch noun

A small catch that keeps something closed.

In the book
… actually a pretty clunky thing, supposedly over a hundred years old, made out of polished sterling silver with platinum plated antlers, emerald eyes, small diamonds on the fringe of its mane and a silver latch disguised as the tail.
350 fn 318

ornate adjective

Heavily decorated.

In the book
It was awkward, ornate and most of all cold, every now and then blinking out odd bits of light, a warped mirror, attempting a reflection when she took care of it.
350 fn 318

Paulus de Vos (1596–1678)

real

A Flemish painter of animals and hunting scenes, who worked in Antwerp with Rubens and Snyders. Johnny won a paid summer in Europe with an essay on him.

Hunts and deer run through this part of the book, and Johnny next describes himself in the Prado “like a pack of hounds howling for a hart”.

In the book
An essay I'd written on the painter Paulus de Vos (1596-1678) had won me an all-paid summer abroad.
350 fn 318

bindle noun (slang)

A bundle of belongings carried by a tramp, often on a stick.

In the book
By the third day I was heading for the station, looking for something, maybe someone, a bindle on my back, a Eurorail pass in hand, not more than three hundred bucks in traveler checks in my pocket.
350 fn 318

traveler checks noun

Pre-paid paper cheques used by tourists before cash cards.

In the book
By the third day I was heading for the station, looking for something, maybe someone, a bindle on my back, a Eurorail pass in hand, not more than three hundred bucks in traveler checks in my pocket.
350 fn 318

Johnny's trip: Eurail pass, the Prado, Toledo, Naples, the Ionian islands, Rome, Paris

real places

A Eurail pass lets travellers ride the trains of many European countries. The Prado is Spain's national art museum in Madrid. The Ionian islands lie off western Greece.

Johnny tours Europe alone, poor and hungry, and sleeps on the quays (stone banks) of the Seine in Paris.

In the book
… very little, hustled from place to place, peeking into Czechoslovakia, Poland and Sweden before looping west so I could race all the way down from Denmark to Madrid where I stalked the halls of the Prado like a pack of hounds howling for a hart.
350 fn 318

hart noun

An old word for an adult male red deer.

In the book
… Poland and Sweden before looping west so I could race all the way down from Denmark to Madrid where I stalked the halls of the Prado like a pack of hounds howling for a hart.
350 fn 318

splurge verb

Spend a lot of money on a treat.

In the book
In Paris I lived at the bistros during the night, occasionally splurging on beer and escargots, while during the day I slept brokenhearted on the quays of the Seine.
350 fn 318

escargots French

Snails cooked as food.

In the book
In Paris I lived at the bistros during the night, occasionally splurging on beer and escargots, while during the day I slept brokenhearted on the quays of the Seine.
350 fn 318

quay noun

A stone platform along a river or harbour.

In the book
In Paris I lived at the bistros during the night, occasionally splurging on beer and escargots, while during the day I slept brokenhearted on the quays of the Seine.
350 fn 318

emaciated adjective

Very thin from hunger or illness.

In the book
I guess it’s the way I felt, all emaciated and without company.
350 fn 318

destitution noun

Extreme poverty.

In the book
Everything I saw in me somehow only reflecting my destitution.
351 fn 320

Karen and Wax's kiss; “Chapters XVII and XIX”

invented

Navidson's knowledge of Fowler, the letters and the kiss he saw between Karen and Wax helps explain his wish to go back. Zampanò notes that later chapters cover this in more detail.

In the book
It is safe to assume Navidson knew Karen better than anyone else.
351–352 fn 321

Jerry Lieberman's tape of Fowler (July 13, 1995)

invented

An invented reporter's unused interview. Fowler, crude as ever, says Karen had changed: she was editing a film and she needed Navidson, who was no longer around.

In the book
No doubt his knowledge of Fowler, the cache of letters, certainly the discovery of Wax and Karen’s kiss, contributed to his decision to return to the house for one more exploration.>2° He left her to New York because by then …
351

cache noun

A hidden store of things.

In the book
No doubt his knowledge of Fowler, the cache of letters, certainly the discovery of Wax and Karen’s kiss, contributed to his decision to return to the house for one more exploration.>2° He left her to New York because by then he knew …
351

would-be adjective

Wanting to be something but not yet successful at it.

In the book
Jerry Lieberman who wrote the original People interview with Fowler had spoken with the would-be-actor for a possible follow up article but lack of interest in the affair caused him to shelve the story.
351

shelve verb

Put a plan aside and not continue with it.

In the book
Jerry Lieberman who wrote the original People interview with Fowler had spoken with the would-be-actor for a possible follow up article but lack of interest in the affair caused him to shelve the story.
351

haggling noun

Arguing about a price or terms.

In the book
After a little haggling, he agreed to send the tape of their last conversation.
351

clingy adjective

Too emotionally dependent on another person.

In the book
Anyway I didn’t need to worry that she’d get clingy or anything.
351 fn 318

“losing pounds faster than Lloyd's of London”

real

Lloyd's of London is the old London insurance market. In the late 1980s and early 1990s it lost billions of pounds sterling in huge claims. Johnny puns on losing pounds of body weight.

In the book
I’m living off of tuna, rice and water, losing pounds faster than Lloyd’s of London, but I'd sell body parts before I'd consider taking cash for this relic.
351 fn 318

relic noun

An old object kept for its history or its meaning.

In the book
I’m living off of tuna, rice and water, losing pounds faster than Lloyd’s of London, but I'd sell body parts before I'd consider taking cash for this relic.
351 fn 318–319

The engraving “March 5, 1966” and the letter inside

invented

The back of the locket carries words from Johnny's father; the Editors (fn 319) say this means his biological father, not Raymond. Inside, Johnny finds the first letter he wrote to his mother at eleven, the only one she saved.

In the book
It’s from my father?!9: “My heart for you, my love—March 5, 1966”—practically prophetic.
351 fn 318

prophetic adjective

Correctly telling what will happen in the future.

In the book
It’s from my father?!9: “My heart for you, my love—March 5, 1966”—practically prophetic.
352

get off on phrasal verb (slang)

Get excitement or pleasure from something.

In the book
I know how they get off on dicking over their husband.
352

The 16mm projector

real

16mm is a film gauge used for documentaries and home editing. The chapter ends with Karen seeing Navidson only as a projected image on a white wall.

In the book
… every day and in a way she had never seen him before—not as a projection of her own insecurities and demons but just as Will Navidson, in flickering light, flung up by a 16mm projector on a paint-white wall.
The summary of this chapter then shows on the contents page.
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